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Titian, Venus of Urbino, 1538, for the Duke of Urbino (now in Uffizi)

- painted for Duke of urbinostyle changes Gonzaga to serve different functions
 - engages with viewer with open eyes
 - symbolic/iconographic meanings
 - dog: fidelity/lust
 - flowers: material senses, gifts for women
 - marriage chest
 - references wealth - maid
 - setting makes it a social space
 - more characters - ideas of privacy are different
 - body adorned - social signifier
 - Dark background shows off body better
 - contemporary documents call this "a nude woman"
 - modelling on classical motifs
 - but the woman is real
 - servant holds dress
 - didactic function: aided husband in arousal, woman instructed in masturbation
 - beauty of women = beauty of painting
 - tactility of painting - better than sculpture (paragone)
 - can you feel love by looking at a painting?
 - can you evoke the ideal emotions you feel?
 - Just an exotic painting
 
 
 
 
          
      
 
  
 
 
 
  
- Reclining female who’s body is even more exaggerated by the canvas background which creates a deep contrast between venus’ nipple
ReplyDelete- Titian who paints the anonymous female – idea of this subject
George