Parmigiano: Self portrait in a Mirror
1524
diameter 25 cm
- The artist worked in Parma anf the Papal court in Rome
- He was identified as the next Raphael
- recognised as a "smooth guy" who epitomizes the courtly ideal of an artist
- This self portrait served as a demonstration of his artistic skills before he left for Rome
- He makes claims for himself as an artist by depicting himself and immortalizing himself
- shows ability to depict distortion in a convex mirror
- The enlarged hand places information on "the artist's hand"
- He dresses himself in lavish costume and the window and halo of light around his head heralds his divine status
- meditation of light and the body
- It is painted on a small wooden disc and mimics a real mirror
- Depicts self as an adolescent even though he is 20 at the time
- The reference to the mirror is symbolic of slef-knowledge
- The objects and knowledge construct his identity
- Mirrors were also used as an allegory for Narcissism or aping
- recognized for his smoothness in painting and demeanour
ReplyDelete- repetition of how painting is an idealic, inaccurate representation of the sitter, meant to embody beauty as the primary goal -- in both painting and persona
George